Netflix's 'Ginny & Georgia' is utterly unique yet wildly predictable

Picture: NETFLIX

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By Proma Khosla2021-02-24 11:00:00 UTC

Despite the admirable uniqueness of every Netflix show, you know what to expect of a classic binge: Some soapy drama, a dash of the unrealistic, a charismatic cast, and a gaggle of twists. Netflix’s Ginny & Georgia has all of this, yet somehow manages to be almost boring even as it flies by.


Ginny & Georgia, created by Sarah Lampert, is about our titular daughter and mother — aged roughly 15 years apart — played respectively by Antonia Gentry and Brianne Howey. Episode 1 proclaims they are “the Gilmore girls, but with bigger boobs!” but the reference is only for show; Ginny and Georgia couldn’t be more different from their alliterative namesakes, and we learn that quick enough. The family (along with adorable little brother Austin, played by Diesel La Torraca) has just moved to a quaint little Massachusetts town in hopes of starting fresh and escaping the past.

What lies in the past, you ask? Well, only a handful of soapy plots pulled from a hat that you’ll see from a mile away. That doesn’t have to be a bad thing. Good TV can tell and retell the same stories, even the darker ones, without having to answer for why, but they should somehow feel new. There are no gasp-worthy twists in Ginny & Georgia. You know immediately, without question, who’s going to fall in love and break up and what’s going to happen when Ginny’s dad shows up and what happened to Georgia’s late husband. The characters should keep it all fresh, but they sometimes struggle.

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“Happy 16th birthday, asshole!”


The move to Massachusetts signifies a shift for Georgia and Ginny. Maybe they were like the Gilmores before, but part of why they were always best friends was that Ginny struggled to make others while moving rapidly across the country. As a result, Ginny & Georgia quickly becomes two parallel shows. Ginny sets about being a Normal Teen™, making friends and going to parties and having sex with a boy she’s known for five minutes (after a lengthy monologue about her mother’s frivolity). Georgia finds herself a fancy job at City Hall, visibly ogling both the charming mayor (Scott Porter) and the municipal budget. 

It won’t all make sense in the moment, but it settles well enough after 10 episodes.

The adults are almost universally winsome. Howey puts Georgia’s charm on full display with a crackling undercurrent of danger and wit (no doubt the blueprint of what should’ve been Tully in Firefly Lane, however that present made its mattress). Porter is ever the all-American small city crush, together with a quick cosplay as Clark Kent — an ethical compass that will make Steve Rogers proud. Any time Schitt’s Creek’s Jennifer Robertson exhibits up for a suburban-mom-wine-down is top-notch, assured, and Raymond Ablack’s tackle aloof diner-owner-in-plaid provides a heat that extra scenes may gain advantage from. 

Regardless of Gentry’s greatest efforts to endear her character to us, Ginny typically comes throughout as a raging brat. The entire present’s teenagers are going by way of One thing with a capital S: Proud lesbian Max (an effervescent Sara Weisglass) craves love; Abby (Katie Douglas) experiences physique dysmorphia; and Ginny’s de facto Jess Mariano problematic crush Marcus (Felix Mallard) is nonetheless grieving his greatest pal and coping by appearing out.

However the present does a disservice to all of them by sweeping this stuff below the rug, making use of band-aids and distractions that go away the characters feeling incomplete. They do sound like actual teenagers in that actual teenagers sound weird to an outsider — leaping between emotions and energies, going out of their strategy to sound grownup and funky even to one another. (Additionally they clarify social media so much which appears like a lesson for older viewers members greater than something.) Ginny addresses her complicated feelings by lashing out always at Georgia, in the end amounting to a personality whose facet it is robust to take. 

Everyone here needs better friends.

Everybody right here wants higher mates.



Ginny misbehaves roughly as a result of she thinks her mother is “psycho” (admittedly not a baseless accusation). However you get the sense that Ginny acts the a part of nightmare teen as a result of she thinks she’s speculated to, not as a result of she desires to (the identical goes for the intercourse). She additionally would not be taught. There’s nothing unsuitable with an unlikable lead character if you may make it work, however when Ginny’s lies and malice come to a head, she simply doubles down as an alternative of repenting. It takes 10 episodes for Georgia to declare in an argument that she would not know her daughter — and the viewers by no means did.

The present does persistently handle Ginny’s racial identification, one thing prioritized early on by director and govt producer Anya Adams. Ginny is one of many solely Black college students at school, singled out overtly by some and extra insidiously by others. Being biracial, she by no means feels fully relaxed, together with along with her white mom. Surprisingly, she doesn’t give Georgia an excessive amount of grief about this, as an alternative selecting to debate it along with her visiting father (Nathan Mitchell) and accepting what her shiny new mates can and can’t provide.

There’s so much that feels off in a primary viewing of Ginny & Georgia: The nonexistent chemistry between Ginny and Marcus, the forgettable interlude with Georgia’s secret sister (gasp!), the reality about Georgia’s ex (and different ex). However in between there is the magnetism of Georgia and anybody she meets, Max’s tenderness, the rollercoaster of adolescent feminine friendship. It will not all make sense within the second, nevertheless it settles nicely sufficient after 10 episodes. Even the predictability nets out to an fulfilling binge, and the finale has potential to precise shock us sooner or later. 

Ginny & Georgia is now streaming on Netflix.

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