Wunwell Sharpe has solely been browsing a few occasions, however he actually liked it. “So I’m not a surfer, I’m not excellent at it, I’ve been twice,” clarifies the 35-year-old English-Japanese actor, author and director. “However there’s one thing about being on this enormous, loud, ‘different’ power and I by no means really feel calmer than after I’m underwater in the sea. I simply actually took to it.”
Sharpe sees parallels along with his work, which has thus far included the surreal, darkly humorous sitcom Flowers starring Julian Barratt and Olivia Colman that he created for Channel 4, and a magnetic efficiency as sarcastic, self-destructive Rodney in the BBC drama Giri/Haji, which earned him a Bafta in 2020 for finest supporting actor. “After I got here again to writing, having been browsing, I discovered myself reflecting on how there are specific similarities: you have to get every thing technically proper, however you’re nonetheless at the mercy of this a lot better energy,” he says. “And the way 95% of the time you’re getting the shit kicked out of you, however the 5% of the time that it really works, it’s so exhilarating you simply need to do it once more right away.”
Profession-wise, Sharpe has simply caught a few epic waves. First up is Landscapers, a four-part drama that he has co-written and directed for HBO and Sky. It options Colman, once more, and David Thewlis as Susan and Christopher Edwards, a seemingly abnormal couple who in 2014 have been convicted of killing Susan’s dad and mom 16 years earlier and burying them in the again backyard of their Mansfield house. Then, in the new 12 months, he has the characteristic movie The Electrical Lifetime of Louis Wain, starring Benedict Cumberbatch and Claire Foy, which he co-wrote and directed. Additionally impressed by a real story, it recounts the lifetime of a chaotic British artist who grew to become famend in the late nineteenth century for his whimsical, generally psychedelic drawings of cats.
To explain Sharpe as a singular and precocious expertise can be understating what an authentic and empathic imaginative and prescient he brings to those tasks. The star energy he can name on – each Colman and Cumberbatch picked him out particularly – is one indication. I ask Colman why she was so eager to enlist Sharpe for Landscapers. “As a result of I had liked working with Will on Flowers. He has the most splendidly artistic thoughts, and as a director I liked the notes he gave me,” she says. The American director Paul Thomas Anderson has stated that he considers Flowers “totally fashioned” and “good”.
Nick Cave, a collector of Louis Wain’s work who has a cameo as the author HG Wells in The Electrical Life…, has famous: “It is a gorgeous, heartfelt hallucination of a movie a couple of most singular and extraordinary man. I extremely suggest it.”
In individual, Sharpe, whose face is half-hidden by a Beatles mop of black tousled hair, is extra modest and reticent than you may count on from these raves. “I’m socially fairly uncomfortable,” he says, over a espresso in a restaurant in east London. “Or a minimum of I feel I’m.”
Sharpe traces this shyness partly to his upbringing. His mom is Japanese, and till the age of eight he lived largely in Tokyo. His household then moved to Surrey, when his father, who now works for the Monetary Conduct Authority, took up a new job. “When you’re mixed-race, once you’re in Japan you’re feeling British, and once you’re in England you’re feeling Japanese,” he says. “You’re making an attempt to get your toes on the floor wherever you go. I undoubtedly discovered it took some adjustment shifting to England from Japan, and I feel that has given me maybe an outsider’s perspective on right here. In the similar approach that I have an outsider’s perspective on there.”
For somebody with a level of social awkwardness, a profession in efficiency won’t appear an apparent transfer. However as a baby, Sharpe appreciated Japanese sketch exhibits and Mr Bean; he then performed in bands (keyboards, guitar) as an adolescent and would change into president of Footlights at Cambridge, the place he studied classics. After graduating, he went to London and tried to ebook standup gigs.
What was his act? “I can’t actually bear in mind now,” Sharpe says, dubiously, earlier than laughing at a salvaged reminiscence. “Generally I’d be so nervous I might do it in an American accent. I assume it felt like security or one thing as a result of I wasn’t totally myself. I identical to the feeling of making an attempt issues out. And in a humorous approach, even the occasions the place it doesn’t go properly, when there’s 4 folks in a room and just about no response, that felt motivating as properly differently. It was a enjoyable however unusual time.”
Perhaps due to that outsider standpoint, Sharpe’s output as a director is defiantly and excitingly non-derivative. Nick Cave is not the first to notice the hallucinatory high quality to his work. This is particularly evident in The Electrical Lifetime of Louis Wain, which Sharpe co-wrote with Simon Stephenson (Paddington 2). What may have been a by-numbers biopic is rendered stranger, extra enjoyable but additionally deeply affecting. It’s not a spoiler to say that Wain wound up penniless and in Bedlam psychiatric hospital, however Sharpe’s movie imbues his life with a posthumous dignity.
Making The Electrical Life… felt like “an enormous step up” for Sharpe. He had not heard of the artist when he was approached by Cumberbatch’s manufacturing firm, however was shortly gained over. “I discovered him to be a really inspiring and heroic determine – he confirmed enormous resilience in the face of numerous challenges,” says Sharpe. “So I simply fell in love with him.”
Working with Cumberbatch – “he has this extraordinary stamina and he can at all times carry it” – turned out to be simpler than herding Wain’s topics. “Filming with cats, at occasions they offer you spontaneous magic,” says Sharpe. “And infrequently they behave like cats and do no matter they need and also you simply have to adapt.”
His different massive new venture, Landscapers, took place after the American director Alexander Payne dropped out due to a scheduling battle. The bones of the story may have made for a reasonably typical true-crime procedural: have been the Edwardses actually chargeable for the loss of life of Susan’s dad and mom? How did they conceal in plain sight for thus lengthy? Sharpe, although, pushed to go deeper; there is a dream-like, fantastical aspect to his retelling of occasions. One in all the incongruities of the case was that Christopher and Susan Edwards have been obsessive about Hollywood memorabilia, spending a six-figure sum on posters, pictures and letters; once they lastly handed themselves in to the police, their private results included handwritten notes from the actor Gérard Depardieu.
“They’re each tasks the place the central characters are people who find themselves obscure, or who perhaps didn’t fairly sit in the world in as easy a approach as they may have carried out,” says Sharpe. “I needed to know these folks. I knew I may by no means totally obtain that, however I needed to strive as finest as potential to get into their headspace.”
Sharpe doesn’t seem himself in Landscapers or The Electrical Lifetime of Louis Wain, however believes that switching between appearing and directing improves each disciplines. “I generally use the analogy that in case you’re driving a automotive, however you’ve not too long ago ridden a bicycle, then you definately have a better sense of the way it feels for the others,” he says.
As for what he does subsequent, Sharpe’s undecided. Once we meet, in early November, his associate, the Loki actor Sophia Di Martino, is anticipating their second little one any day. He smiles and notes that that may preoccupy him for some time. However he is feeling the pull of appearing once more, and likewise needs to write down one thing of his personal from scratch.
Colman appears satisfied that with Sharpe we’re witnessing the formative levels of an excellent artistic expertise: equally expert as an actor, author and director, and nonetheless simply in his mid-30s. “All of these issues ought to make me dislike him – it’s deeply unfair,” says Colman. “If he turned up enjoying some form of sport for England, I wouldn’t be stunned. And it’ll be a sport he by no means even tried earlier than.”
Perhaps we shouldn’t rule out Sharpe ending up as a surfer simply but.
Landscapers is on Sky Atlantic from 7 December