The inside designer Dorothée Delaye spent two years looking for what she calls “a village life in Paris”. She and her family – husband François and kids Faustine, 11, and Jules, 9 – had outgrown their house in the central Marais district. “I actually wished to have a backyard – that was my precedence,” says Delaye. “A spot the place my kids might have their mates over to play. I additionally wished a massive entertaining house the place my husband and I might collect with mates.”
For Delaye, a likelihood for “village life” confirmed up a few kilometres east in the twelfth arrondissement, behind a courtyard that when housed a mirror factory. “I instantly fell in love with its quantity and its factory parts,” says Delaye of the cavernous, open-plan workshop. “It was such an uncommon house – the right problem for a designer.”
Delaye’s eponymous design studio specialises in bringing buildings out of hibernation. She has spent greater than a decade remodeling resorts and eating places into “locations the place individuals come to like, dance, eat, share, mirror and get emotional…” (She has simply accomplished the interiors for Mimosa, Jean-François Piège’s newest restaurant at Hôtel de la Marine in Place de la Concorde, in addition to the interiors for Sookie, a Marais lodge and occasional store she likens to visiting a buddy’s home.)
“A challenge begins by immersing your self in a place, in a neighbourhood,” explains Delaye. “By listening and interacting … I discover creativity begins to bubble.”
With a self-imposed deadline of simply eight months, Delaye restructured the 200-square-metre house, creating a massive, open-plan central residing space plus three bedrooms and a home workplace. One of many two inner garages was transformed into a main bedroom with en suite, and a beforehand roofed courtyard backyard was reimagined as an enclosed paved patio, now thick with foliage.
With the floorplan set, Delaye targeted on fixtures and fittings. “My essential resolution was to present the house a countryside really feel,” she says. “I didn’t need it to really feel like a new home, built from scratch.” Delaye sourced a number of reclaimed supplies for the inside. The panelled doorways and herringbone flooring are from a Haussmann house in the sixteenth arrondissement; the purple marble hearth got here from a grand home in Belgium; and the shutters are from a villa in the south of France. “Every merchandise brings it personal story,” says Delaye. “They offer the impression that they’ve at all times been there.”
Although the house is open-plan, transitional thresholds have been created by the intelligent use of texture and color. The wall surrounding the hearth has, for example, been painted a wealthy shade of burgundy (Farrow & Ball’s Brinjal). “This was a manner of setting the decor across the hearth in the identical tones,” explains Delaye. “It makes the lounge heat and – on the identical time – very totally different from the kitchen and bar space.”
The baroque mirror above the mantle as soon as hung in Château de Chantilly, north of Paris (Delaye was partly impressed by Stanley Kubrick’s 1975 movie, Barry Lyndon), and the patinated pillars have been left in situ as a reminder of the constructing’s industrial previous. “With every challenge, I get very hooked up to the historical past of a place,” Delaye says. “I wish to think about that point will proceed to move by it, intervene in my work and finally acceptable it.”
Within the kitchen, the leaden partitions choose up the gray end of the marble splashback, whereas the change in flooring (a marble mosaic designed by Delaye) demarcates a change of use. Equally, in her daughter Faustine’s country-style bed room, varied shades of blue on the partitions and in materials create layered curiosity. “I like issues that final,” Delaye says. “You will be daring in your selection of color with out falling for the newest tendencies.”
Paris’s well-known flea market, the Marché d’Aligre, is subsequent door to the house and Delaye has mirrored its classic eclecticism by mixing secondhand items with up to date furnishings. Within the residing space, a collection of chairs – Faye Toogood’s Roly-Poly, a traditional bentwood Thonet and a pair of Nineteen Fifties Danish designs – create an inviting scene. “I get pleasure from mixing intervals, kinds and supplies,” says Delaye. “I believe it brings actual heat to the home.”
In the beginning of any challenge, Delaye asks: “Would I nonetheless like this decor in 5 years?” Having lived in the mirror factory for 5 years, she nonetheless finds her richly layered home recent and practical: a countrified nook of town that’s a true reflection of the individuals who dwell there.